
Rooftop courier
Orla Fenwick
Orla wants to seem unflappable, but her answer admits that she improvises. The pencil is useful twice: it gives her a concrete action in a scene and a small prop for a portrait. Her second sentence keeps confidence from turning into carelessness. Try asking who taught her to consult the person doing the hardest work. That follow-up can reveal a former mentor without demanding a dramatic origin story. The illustration uses everyday work clothes because her character lives in decisions, rather than a complicated costume.
How do they react to a last-minute change of plan?
I draw a new route in pencil, then pretend the detour was my idea. If someone else is carrying the heavy parcel, I ask first.















